As of the last book, A Dance with Dragons, do you think Jorah’s love for Dany is true? In the first to second book, it seemed more like he was trying to replace his wife who left. But what do you think of their relationship now?

This is a good summarization of how I feel about Jorah’s obsession with Dany. The point of examination is inconsequential in determining the nature of Jorah’s association with Dany, it can not be called anything but a possessive obsession, not love, never love. Preying on a vulnerable teenager is not, and will never be, love. Trying to isolate a teenager and make her solely dependent on him so he could be the one and only person she trusts is not love. Sexually assaulting a teenager and continuing to push unwanted advances on her after she made it very clear that she was not interested is not love.
Trying to get renewed access to a teenager through enslaving a human being is not love.

Jorah is an abuser, a grown ass entitled adult chasing a not-yet 16 years old (and that’s in ADWD, his fixation on her started when she was a child of 13.) Dany is not Jorah’s love, she is his victim.

Game of Thrones’ Hot Pie actor opened his own bakery

dailydot:

It’s been a few years since we’ve seen Arya Stark’s fan-favorite traveling companions on Game of Thrones, and while Gendry is probably still rowing, Hot Pie is moving up and starting his own bakery—well, sort of.

Hot Pie actor Ben Hawkey is finally getting his chance to showcase his baking. To celebrate the start of Game of Thrones’ seventh season, he’s opening a pop-up bakery called “You Know Nothing, Jon Dough.”

Soon enough, you’ll be able to get your hands on one of Hot Pie’s famous Direwolf loaves.

[READ MORE]

Game of Thrones’ Hot Pie actor opened his own bakery

I’ve been thinking about this ask I reblogged from @madaboutasoiaf​ and what her anon said about Westeros benefiting from Rhaegar being Jon’s father as opposed to Ned which I wanted to address, but I did not want to take away from the points about Robert in the original post so I thought making a new post about it would be more appropriate. Here’s the bit I want to talk about:

Doesn’t that make Rhaegar the winner and Ned the loser, especially since
Jon and Westeros are going to benefit more from Rhaegar as his father
than Ned in the end?  

Besides my absolute rejection of the idea that the narrative, at any point, means to frame Ned as the loser in the story or that we’re meant to see him that way, here’s the irony in this line
of thinking: Ned Stark did more for the War for the Dawn than Rhaegar
Targaryen. Oh, Rhaegar sired Jon alright, but he did little beyond
donating his sperm to create him. But the one who saved Jon’s life, that ensured that this one small infant
would survive and grow up to be the man who will save the world? That
was Ned Stark and the love he had for Lyanna. That was Lyanna and the absolute faith and trust she had in her brother.

Rhaegar failed
the realm he wanted to save, and could have failed the little boy he
fathered specifically to be a weapon against the Others so easily, did fail his two other
children whom he believed were to be instrumental to the war. Rhaegar
Targaryen could have been the king who saved Westeros; he had a prime
opportunity and the necessary knowledge to do so. He was one of few who knew that the realm was
already under siege and that a war for humanity’s very survival was
coming, and the only one with enough authority and clout to really make a difference. Rhaegar could have significantly evened the stakes in the War for the Dawn by
putting his focus to overthrowing Aerys since he recognized that the
realm needed a better royal leadership if it had any chance to survive.
With Rhaegar’s knowledge of the upcoming war, he could have had the
monarchy spearhead a long-term plan to strengthen
the Night’s Watch and the other Westerosi institutions so they could be
prepared for the coming war. He could have used royal authority to
dedicate resources to the Night’s Watch and set maesters to research the
threat and how best to counter it. He could have established a line of
communication with the Lord Commander of the Night’s Watch and the
Starks of Winterfell so he’d know the second the invasion began.
Westeros could have had nearly a decade and a half to prepare for the
Others: dragonglass could have been mined, food and weapons shipped to
the Wall, the closed castles restored and manned, warriors directed to join as the Watch ceased to be a penal
colony and the honor of service in it was restored, etc. Westeros could have
had a much easier time mobilizing for the threat had it had a king that believed in what others thought legends and old wives’ tales. Instead, Rhaegar undermined the realm’s chances of actually being prepared for the
Others. He instigated a war that weakened the same institutions that could have faced their threat by bleeding the realm in a conflict that could
have been avoided. He squandered his
knowledge and acted as if acquiring a few children was the be-all,
end-all of his responsibility to the realm…. and the kicker is that even
those children were not properly protected.

Compare that to Ned who, unlike Rhaegar, did not know that Jon would play an important part in
saving humanity, or that a war with a mystical enemy was coming, when he saved the life of one small infant and raised
him with all the qualities that made him the hero Westeros needs. Look
at Jon’s actions at the Wall and how driven he is by Ned’s teachings.
Jon picked service in the Night’s Watch as a purpose because Ned had
impressed upon him the honor of serving the realm on the Wall, a belief
left over by a residual ancestral memory of the true purpose of the Wall
and why the Night’s Watch is important. He was adamant on saving as
many of the free folk as he could because Dad stressed the value of every
single individual life, and that condemning someone to die should never
be easy and the cost should never be ignored
. I fully believe that Jon’s heroics should be attributed to
him, that his courage and empathy and forward thinking is something to
commend Jon on, but Ned was the one who raised this man and who
shaped who Jon came to be – a hero who stands up for the weak and innocent and who is
going to save the world, not because Rhaegar Targaryen sired him for
that purpose, but because Ned Stark taught him to do the right thing, and because Ned Stark did do the right thing when he saved this small helpless innocent
for love and for honor – because the life of that one bastard boy was everything, worth the lies and the shame and the pain it cost Ned. And that one life spared will mean life to the realm at large.

Westeros might have been better served with Rhaegar as king, but it is far better served with Ned as Jon’s father. It was Ned’s love that saved Jon, his honor that he passed onto his son, and his values and teachings that enabled Jon to be the hero Westeros needs.

When Robert says Rhaegar won, do you think that means something else with Ned/R+L=J? Ned had to deal with consequences and responsibilities alone. Rhaegar doesn’t have to deal with it and wouldn’t. Ned is trapped in a Hell of lies, divided loyalty, and loneliness while Rhaegar and Lyanna are free with their reputation preserved. Doesn’t that make Rhaegar the winner and Ned the loser, especially since Jon and Westeros are going to benefit more from Rhaegar as his father than Ned in the end?

madaboutasoiaf:

Hi Anon! I don’t think it was intended to be interpreted that way. I’ll copy the full paragraph here because it adds context:

Robert reached for the flagon and refilled his cup. “You see what she does to me, Ned.” The king seated himself, cradling his wine cup. “My loving wife. The mother of my children.” The rage was gone from him now; in his eyes Ned saw something sad and scared. “I should not have hit her. That was not… that was not kingly.” He stared down at his hands, as if he did not quite know what they were. “I was always strong… no one could stand before me, no one. How do you fight someone if you can’t hit them?” Confused, the king shook his head. “Rhaegar… Rhaegar won, damn him. I killed him, Ned, I drove the spike right through that black armor into his black heart, and he died at my feet. They made up songs about it. Yet somehow he still won. He has Lyanna now, and I have her.”

This paragraph is allll about Robert. That quote is all about Robert. Nothing’s his fault. Cersei made him hit her. Rhaegar took Lyanna from him. Also note how he talks about both women at the end, like they are objects, something to possess. Ugh, this paragraph makes me so angry.

This is about Robert trying to shift responsibility because he never wanted any, he’s a man child who just wants to eat and drink and sleep with women and have a good time. Rhaegar” won” because he took Lyanna and now Robert has to do work and Robert’s never had to see Lyanna as the person she actually was, not a trophy, but somebody who would have talked back to him just as much as Cersei because Lyanna already disapproved of Robert’s actions at age 14.

He can blame Cersei because she’s not the perfect, pliant, beautiful imaginary Lyanna he’s conjured up in his head. If Cersei objects to him hurting her in bed it’s not his fault, it’s because she’s not the woman he wanted, and we all know who he blames for that. Rhaegar.

The thing is there comes a point where losing Lyanna isn’t a good enough excuse to act like an entitled asshole and that point should have been reached long before AGOT because Robert never really knew Lyanna. But because he’s strong and can knock anybody into the dirt if he wants to, and because he is king and people didn’t challenge his irresponsibility he never developed past that spoiled man child stage of blaming others for his own damn faults.

Side note in response to other things in your ask: Lyanna didn’t do anything to have a bad reputation, other than be a naive fourteen year old who thought Rhaegar might help her escape the marriage to Robert (that’s my interpretation because no matter what way you look at it she was fourteen). Rhaegar’s reputation has not been preserved. A whole heap of people think he’s a rapist. Plus they’re dead and that’s not winning in any shape or form. And lastly, Ned raised Jon. Ned is Jon’s father in all the important ways. Jon won’t be a hero because he’s Rhaegar’s son. He’ll be a hero because of the lessons Ned taught him, and because of his own decisions too, because that’s the person he is and even with the lies and shame Ned endured, I’m sure that’s one thing he’s proud of and I don’t count that as a loss.

joannalannister:

namwoohyeons:

everybody who can’t use the ‘go to dash’ button on Xkit anymore..this is what you do:

1. go to the post you want

2. in the url there will be a numbered id. copy that.

3. you now need to add +1 to said id. so if the id is like this for example: 47396607316 it becomes 47396607317

4. http://www.tumblr.com/dashboard/100/THEIDNUMBERCOMESHERE

P.S. if it doesn’t seem to work, use the original number from the original URL (without the +1 thing) and then just scroll down to the bottom of the page and click “Previous”–you should be able to find the post there.

The Assassination of Gianni Versace: American Crime Story Will Tell the Story Backward

dcriss-archive:

Ryan Murphy is a master craftsman of anthology series, and his latest venture,The Assassination of Gianni Versace: American Crime Story appears to be following a great trend. The opening montage of the show was screened for critics at the Television Critics Association summer press tour, and besides being visually stunning, it’s also intensely emotional.

“We’re telling the story backwards,” creator and executive producer Ryan Murphy reveals. “The first episode obviously deals with the literal murder or assassination itself, and then we tell the story in reverse. So we really get into how [Andrew Cunanan] (Darren Criss) had that motive and why he wanted to do what he wanted to do.”

As you might have guessed, the opening montage pieces together the last morning of Gianni Versace’s (Edgar Ramirez) life, from the moment he wakes up to the moment he’s shot in cold blood on his own front steps. Just as heavily featured is Darren Criss’ Andrew Cunanan in the hours leading up to the moment he pulls the trigger.

While the series will no doubt focus heavily on Versace and his life, Cunanan’s homophobic motives and the killing spree that followed will also be a key component of the story.

“Versace had given an interview with his lover and had chosen to live openly as a gay man and that was part of the reason why he was targeted and killed,” executive producer Brad Simpson says. “Andrew Cunanan was a serial killer, who killed other gay men.”

Before you jump to conclusions about Cunanan’s depiction, however, we should mention Criss revealed that a large part of this character is seeing the good and the bad, since hating him through the entire series would not be a very interesting hook. We’ll see him at his best and at his worst, which always creates a more compelling villain.

The why of the murder is intriguing enough (and if Criss’ performance in the first few minutes is any indication, intriguing might be an understatement), but perhaps more intriguing is the message about American homophobia in the ‘90s that will into the depiction of this murder.

“More than why he was killed was why it was allowed to happen,” Ryan Murphy says. “The idea was Versace, who was the last victim, really did not have to die… One of the reasons Andrew Cunanan was able to make his way across the country and pick off these victims, many of whom were gay, was because of homophobia at the time. Homophobia particularly in the various police organizations that refused – in Miami – to put up wanted posters even though they knew that Andrew Cunanan had probably committed many of these murders and was probably headed that way, all of which we deal with in the show.”

In the same avenue that The People v. O.J. Simpson dealt with racial issues in Los Angeles at the time, it appears The Assassination of Gianni Versace will hone in on LGBT issues of the ‘90s, providing more than a few ripe opportunities for story.

The Assassination of Gianni Versace: American Crime Story is set to premiere January 2018 on FX.

The Assassination of Gianni Versace: American Crime Story Will Tell the Story Backward