Politics and parents don’t mix.

Joanna and Tywin Lannister. Super high res for download: here.
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wish fulfillment au where boromir lives through amon hen and since the ring has moved on his thoughts are clear and he’s just aragorn’s devoted right hand
and he and gimli bitch endlessly about the run across rohan because “i had THIS MANY ARROWS in my chest i want our hobbits back but CAN WE SLEEP” and he’s 5000% shitty to rohirrim who don’t respect aragorn and he and eowyn become rampaging bffs and he gets in on the body counting at helm’s deep (“ARAGORN I’M BEHIND I’M GOING TO THE DOOR” “YOU ARE NOT GET BACK HERE”) and he and treebeard become instant kin because mi hobbit es su hobbit and he goes through the dimholt pass with aragorn and hates every single second of it but is unfailingly by his side through all of it
and then gets to minas tirith and reunites with faramir and finds out pippin is a guard of the citadel and has to go lock himself in a room and laugh for hours
Maester Steve, Are dowries standard practice in Westeros and if so are they a only a custom of the nobility, knights, merchants and other rich folk? If so what would be a proper dowry for a marriage of Lords Paramount, great lords, lesser/petty lords and landed knights? IRL, say England in high middle ages, what would be an appropriate dowry for a Lord’s marriage? For example, I know Margaret of Anjou was vilified for bringing near nothing when she married Henry 6. Love the blog!
Thanks!
How standard dowries are in Westeros is unclear – in ASOIAF, we only have the case of Fat Walda and Roose, Lyonel Corbray and the merchant’s daughter, Myranda Royce’s potential engagement to Harry the Heir, and in WOIAF we only have Argilac Durrandon’s offer to Aegon, and Aegon IV’s payment to the Archon of Tyrosh. They seem to be used in cases where a match is being made that one party wants more than the other, and the first party is sweetening the deal to get the other side to sign on, or as a match between unequals (House Bolton being older, formerly royal, and somewhat more powerful than House Frey, Corbray marrying “into trade,” Myranda being already married and only recently belonging to a house with its own fiefdom).
If Westeros is anything like medieval Europe, however, they’re not just for the nobility. In a world where there isn’t a free market in land, marriages are how peasants can try to access economic security and social mobility, by merging neighboring farms into larger farms so that you can take advantage of economies of scale. Thus, poor peasants become middling peasants, and middling peasants can become rich peasants, and rich peasants become merchants.
A standard dowry would obviously vary by rank, but it would usually take the form of a regular yearly income or a one-time store of treasure if one’s family was flush with cash, or in the form of land if one’s family had huge tracts of…you get the idea.
In an all the girls Stark AU how would relations with Theon be different?
Hey T! Been a while since we talked.
Well, as Theon says in ACoK, the younger Starklings were no more than babes for most of his time in Winterfell and only Robb and Jon were old enough to be worth his notice, so the one relationship that could see significant change in this AU is the one with girl!Robb. In what way…. well, as Robin most definitely would not been trained at arms, that removes one important area of interaction between the two, and consequentially would lose them the camaraderie and friendship often forged on the training yard between young warriors. Similarly, the five-year age gap between them would mean that their lessons with Maester Luwin would not be taken at the same time, also minimizing their interaction. That does not mean that there’s no possibility for them to still have a friendship; indeed the example of Petyr Baelish and the Tully girls exists – but it could be precisely that which makes Catelyn discourage a close friendship between the two as she is no stranger to how the bond between two foster siblings could grow into something more (whether requited or not), and neither she nor Ned would be keen on repeating the BrandonPetyr debacle. That caution might only grow as the years pass and it becomes apparent that Robin would inherit Winterfell, and grow some more as Theon reaches his majority and starts chasing skirts.
On the other hand, considering Theon’s isolation inside Winterfell and that I believe that the relationship between him and Jon Snow would still be turbulent in this scenario, he might actively try to build a friendship with Robin, being that she’d be his only choice for a similarly-ranked friend and that he genuinely wanted to be a Stark which a friendship with a Stark kid would him feel just a little bit like (and she probably would be the target of his boyish hope for a Stark bride). I also don’t imagine that Robin would be any less amiable than her male counterpart. So I’d say they might have a friendship but not as close as canon.
Can we talk about going nowhere? A song he’s been “sitting on for years”. It’s just so beautiful. And so darren. It reminds me of some of his older songs. Like classic darren songs but even better! He’s improved so much over the years
I love your response re Jaime’s arc and redemption, and I’m curious how you see Theon’s arc so far by comparison. I think Theon’s still got a way to go re all the things he did (especially the Miller’s boys), but is Theon’s rescue of Jeyne more legitimate than Jaime’s ‘honorable’ actions in the Riverlands?
Thank you!
Well, the part in Jaime’s arc that parallels Theon’s rescuing Jeyne is not his actions in the Riverlands (those have some echoes in Theon’s occupation of Winterfell actually) but his leap into the bear pit to rescue Brienne in ASOS. Both are objectively heroic acts in which Jaime and Theon risk their lives to rescue Brienne and Jeyne respectively. I’m personally more partial to Theon’s because it’s such a triumphant moment for him in his defiance of Ramsay and break away from the persona of Reek that Ramsay tortured him into. His overcoming of the conditioning Ramsay subjected him to is very poignant to his arc, and so his leap with Jeyne crowns Theon’s identity struggle while also showing his changed perspective and how he is turning away from his previous dismissal of people on account on status and rank. His rescue of Jeyne is a heart-stirring moment because of how selfless it is – Theon chooses not to tell the spearwives and Mance that Jeyne is not Arya from the very start, recognizing that they would not go to the trouble of rescuing her if they find out the truth and thus snuffing even that little bit of hope she had. He starts ADWD trembling at the mere thought of escape and thinking everything a test so that Ramsay could cut off another part of him but ends it taking a leap of faith on a last desperate hope that he might manage to save Jeyne. He had no hope himself; best case scenario was that they manage to reach Stannis in which case Theon knew he’d be executed while worst case was that Ramsay would catch up to them and inflict more torture on him. All of Theon’s options are bad, but he still chooses to leap for Jeyne’s benefit..
But does that one heroic act mean that Theon’s arc would now turn redemptive? Not necessarily. After all, Jaime’s rescue of Brienne was not the start of a redemption arc, neither does one singular act magically wipe Theon’s slate clean. But it could be….. and I think there’s a very good chance it would be. Because while Theon’s arc, like Jaime’s, is clearly one of identity, I think there is a very good
chance that his identity arc would segue into a redemptive one. Because of
this:
Ned Stark’s sons are all dead, Reek thought. Robb was murdered at the Twins, and Bran and Rickon … we dipped the heads in tar
… His own head was pounding. He did not want to think about anything
that had happened before he knew his name. There were things too hurtful
to remember, thoughts almost as painful as Ramsay’s flaying knife …
“I’m not him, I’m not the turncloak, he died at Winterfell. My name is Reek.”
Theon spends the entirety of ADWD
struggling with who he is until he reclaims the identity of Theon of
House Greyjoy by the end of it. But Theon of House Greyjoy is also Theon
Turncloak, is also the Prince of Winterfell, is also the man who
betrayed Robb and took his castle and killed his people. Reclaiming
Theon means reclaiming Theon’s sins as well, something that “Reek” did
not want to think of. It’s easier, in a way, for Theon to just be Reek,
to be a different person from the one who committed those crimes. It
makes dealing with his guilt easier, makes it easier for him to run from
what he has done instead of accepting responsibility for it which is
something he is still trying to do.
He is still trying to deflect the blame; there is a lot of guilt in his chapters and he has
voiced (and reflected on) his responsibility for what happened in
Winterfell, but he keeps swinging back to trying to distance himself
from the blame in an attempt to deal with that guilt. It’s easier to
think of justifications and to think that he had no other choice but for
Theon to have a true redemption arc, he has to face what he has done
and to accept that he did have a choice.
Of course we have to take into consideration that he wasn’t really
in a fit mental state to truly deal with anything for a good portion of
ADWD. His development from Reek back to Theon is slow and gradual but
the cusp of it is when he identifies himself out-loud as Theon Greyjoy
while still inside Winterfell. He hasn’t completely broken free
of Ramsay’s hold on him neither has he completely shed the influence of
the Reek persona, but he is now in a more fit state to truly deal with his previous
actions. And not just owning up to it, he has done that to an extent; no
I mean really owning it. Stop running from it, stop displacing
the blame, stop thinking they were “just” some miller’s boys or that he
had no choice or that it was only Ramsay who killed them.
So Theon has a lot of work to do first, starting by accepting responsibility for what he has done instead of deflecting the blame.
The
part about the miller’s boys does reveal a flaw in Theon’s process
though which is that his guilt is primarily focused on Robb himself.
It’s Robb’s castle he occupied, Robb’s kingdom he caused the downfall of,
Robb’s people he killed, Robb’s little brothers he didn’t
kill…. and that’s not the point. These people don’t matter because they
were Robb’s, they matter because they were people. He’s made that
connection with Jeyne whom he didn’t save because she is Arya Stark but
because she still matters even if she isn’t Arya. That applies to all
the others too. The miller’s boys matter despite not being Bran and
Rickon, and he has to let go of that lifeline of trying to convince
himself it wasn’t as bad just because they weren’t.
So I’d say that Theon might be heading for a redemption arc that saving Jeyne was the first step of, but he needs to stop rationalizing his actions first before he gets there. He is aware of his responsibility for all of it (”I made myself the Prince of Winterfell [..] and from that came all of this.” “My work. My ghosts.”) but he is still shying away from it and being defensive. He is still deluding himself with the thought that he did his best to protect the people of Winterfell…. who wouldn’t have been in danger if it hadn’t been for him (Oy, that line of thinking is just a tad too familiar. Oh Jaime and Theon. If I had a penny for every parallel between you two.) He is still thinking that they were only some miller’s boys and he had no choice because they needed two heads. He is still putting the blame of that on Ramsay alone. For him to achieve redemption, that self-delusion, even if it’s to deal with guilt, needs to stop.
But you know, Bran is set to do something at the heart tree to stop Theon’s execution, probably establishing another connection with him in the process. He is in the company of the man who thinks that good deeds do not wash away the bad, nor the bad the good. Who knows if he’d confront Jon Snow at one point or the Winterfell woman folk that Ramsay imprisoned in the Dreadfort, and how that could affect him. That part of Theon’s arc is only just beginning, we’ll see where it leads.
Slytherin: What’s your favourite musical, guys?
Ravenclaw: Les Miserables.
Hufflepuff: Mary Poppins.
Slytherin: The Book of Mormon.
Gryffindor: underneath these stairs I hear the sneers and feel the glares of my cousin, my uncle, and my aunt.
Ravenclaw: What?
Gryffindor: I can’t believe how cruel they are and it stings my lightning scar to know they’ll never ever give me what I want.
Hufflepuff: Who’s cruel?
Gryffindor: I know I don’t deserve these stupid rules made by the DURSLEYS here on Privet Driiiiive. I can’t stand all these Muggles, but despite all of my struggles…
Slytherin: What have I done
Gryffindor: I’m still alive.
Ravenclaw: what’s happening
Gryffindor: I’m sick of summer and this waiting around, now it’s September and I’m skipping this town.
Hufflepuff: it’s May.
Gryffindor: Hey it’s no mystery, there’s nothing here for me nooooooooow…..
*loud crash*
*doors being thrown open*
*heavy breathing*
Darren Criss: I GOTTA GET BACK TO HOGWARTS
As much as some people may have not liked Boromir, I thought the relationship formed between him, Merry, and Pippin was one of the greatest finer details of the movie. Because despite their actual age, the hobbits were like children (or I certainly feel that Merry and Pippin were anyway). Boromir instantly got on well with Merry and Pip. He looked after them. They were his friends, yeah, but I think in some ways he was more like a family figure to them. And I think when they saw him die- people sort of under appreciate how intensely angry and upset they were. They both flew into a rage. That was how they got captured in the first place. I think that people don’t understand how amazing and wonderful and heartbreaking the relationship between those two hobbits and Boromir was.
Boromir appreciation post :
this post….. RIGHT IN THE FEELS.
But Boromir though. I don’t think people understand how much more depth this character has. If you watch only the original movies, and by this I mean not the extended editions, he’s portrayed in a very negative way. Oh, he just wants power and the ring right. He’s corrupted by its power and I should hate him because he will ruin the fellowship right? WRONG. Yes he is flawed, as all people are, but the books and the extended editions show much more of his inner struggles and of the good there is in him. Watching over the hobbits shows some of this aspect… but there’s so much mooooore! Example, the whole story arc with his father Denethor and brother Faramir. /cries
Everyone should do themselves a favour and watch the extended editions. It could change the way many see this under appreciated character. (and because /amazing extra content/) I just wanted to write this so we all give Boromir a little bit of love. Sorry, rant over. This gif set just gave me too many feeeeeelings!
IM CRYING
Okay, I just rewatched this movie yesterday so I’m feeling a bit raw. The thing that really stood out in Boromir’s scenes with the fellowship is how much he adds a human aspect to it. And I don’t mean that in the species sense, but…. after Gandalf’s believed death, Boromir is the one who comforts Gimli, hugging him while he cried. He argues with Aragorn to give the hobbits time to grieve, not really knowing what Gandalf meant to them but empathizing with their deep and obvious pain. To some, Merry and Pip might only appear as excess package; after all, they aren’t the ring bearer, neither do they add any useful physical advantage to the fellowship. The others ended up trying to protect and save them more often than not. But Boromir truly cares about them. He tries to give them the means for self-defense. He never sees them as less important than Frodo. In the caves, it’s them that he picks up and jumps with, not Frodo. In the forest, it’s them he throws himself into the foray for, their faces and their horror at seeing him shot are what pushes him to fight even with two arrows sticking out of his chest, their safety is the first thought in his mind when Aragorn reaches them.
And you know, even when the ring was tempting Boromir or when he was lashing out at Aragorn or the like, I can still empathize with him. being that he genuinely wanted to protect his people. As far as he was concerned, Aragorn abandoned them and refused to bear a responsibility that was his because of his fears- but what of Boromir’s fears? What of his responsibility to his people? He is someone who bears a heavy responsibility and who has to go on battling crippling fears that he’d fail and that his city would fall, of course he’d lash out at Aragorn who let his fears rule him into abandoning the same cit Boromir is desperately trying to save.
Boromir didn’t just want power for the sake of power, he wanted the ring because he thought he could use it to save Gondor. That wasn’t some lip service he gave to justify his actions or his hunger for power, his last thoughts were of Gondor and its fate, his last action was pledging allegiance to Aragorn after he swore to take up his mantle as a leader. There’s a reason that it’s his courage and his sacrifice that prompt Aragorn to finally claim his place as king and claim Gondor and its people as his responsibility, and that he carries Boromir’s gauntlet with him thereafter and goes on a quest to save Merry and Pip, completing what Boromir gave his life to do. Because Boromir, in his continued concern over the fate of Gondor (that was admittedly to the detriment of the fellowship’s quest sometimes), and in his care for the fate of two little hobbits that might seem insignificant in the grand scheme of things, show that the individual lives matter, that as important as the quest to destroy the ring is, it does not mean abandoning people to their fate in the name of it
If someone thinks Boromir is a bad guy, they are completely missing the point of his story.






